Monday, November 8, 2010

On Becoming an Art School Statistic

I almost didn't make a post this month. To be honest I actually haven't shot anything in over a month and have instead been taking a break from making any work until I get my life together. I have come to the very painful realization that at this point in my life, I really need a real day job to keep a roof over my head while I scrounge together enough time to make and develop my art. Thus I have enrolled in a TEFL certification program so I can teach English domestically and abroad and will be busy trying to support my broke ass for the next couple of months or so.

All that being said, I do have some projects in the works right now, and for my five loyal readers I can promise that come winter I will have some interesting work put up. But until then, this is what I've got.

I seem to have fallen into a somewhat predictable working method, I take something that I really don't like and see if I can turn it into something I do. If there is one particular genera of photography I find absolutely uninteresting or feel no connection to, it would have to be definitively landscape photography (an Ansel Adams fan, I am not). I grew up in the suburbs of Boston and have lived in cities for the last five years of my life, in short I have never really been much of a nature person. That is to say, I really didn't get the whole loving the great out doors thing until I tried it for myself.

Back in September, my family took a trip to Yellowstone national park, a time that I like to refer to as the "Tang Style Family Vacation Technique." Looking around as we touched down in Salt Lake city and prepare for the long drive into the park, things started to click for me. I had never seen a place with so much wide open space, and I started to see why some people are so crazy about spending time outside. If I were constantly surrounded by such majestic beauty, I probably wouldn't want to send much time indoors either. As I looked around and marveled at the sublime power of nature I began to understand why I once so steadfastly and ignorantly hated nature photography. Because I had never been to those kinds of majestic places that you often seen in sierra club calendars, I had no way of relating to them. However, with time and experience our tastes change, and things that once seemed so important way back when, may not seem so important now.






Friday, October 1, 2010

Spaceships

I have lost many hours of sleep recently due to my purchasing of Starcraft II. Because of this, my nocturnal status must have leveled up something like 10x. I was up around 4am the other night just as another gigantic fog rolled in through Boston. As I took a moment to step away from my computer, and commanding my masses of alien armies, I took a look outside and thought to myself "Holy crap! Boston looks like a giant spaceship!" Here, let me show you:


Wednesday, September 15, 2010

Photo Surrealism

Warning: lots of big words in this post.


About a year ago, while I saw a picture of Magrette's "La Reproduction Interdite" while I was at my local Border's. Upon leaving, I felt like an idea had been planted in my head that would one day want to bust out of my brain Bruce Lee style. This is what I came up with.

More recently, I have been thinking about how social networking sites like Myspace and Facebook have changed the way we use photography (or "the discursive practice of photography" as art/photo nerds call it). One of the biggest changes for me, has been the addition of the Myspace portrait into my life. That is to say that the self portrait has now become an important addition to vernacular photography, or in other words, the kind of stuff non-photo professionals take. It is now normal for people to take pictures of themselves, whereas just a few decades before, like when I was a kid, most people didn't really do that. When you needed a picture of yourself, you either got a friend to snap it of you or you had to pay someone to take your mug shot. While I am generally in support of this movement and believe it is good for the expression of humanity, my biggest pet peeve is by far, bar none, is the archetypical half naked shirtless muscle head taking a picture of himself on his cell phone in the bathroom mirror. For those of you who are confused, this is not cool, never has been, never will be anywhere near cool. Whoever decided that this was a good idea should probably be sent a box containing a bicycle kick to the face!!!

Michel Foucault, the famous 20th century postmodernist philosopher, famously described society as a panopticon (a kind of prison with a watch tower in the middle and the cells surrounding it). A prison that allows a few guards to keep an eye on many prisoners all at once, the trick being that the guards can see the prisoners, but the prisoners can't see the guards. Thereby making the prisoners act as if they are being watched at all times, despite the fact is impossible for such a thing to happen. Foucault goes on to say, that each of us play both parts, in society we are both guards and prisoners. We act in accordance to how we think our peers will judge us, because we also judge our peers.

By this logic, photography (which is often described as a mirror held up to humanity) becomes physical document of us watching each other, and a self portrait, a document of us watching ourselves. The age of Big Brother is here, and we are Big Brother, but in a good way. I still believe that photography is still an essential tool for creating empathy and helping us understand/express ourselves.

As previously stated, there are many tactless ways to express oneself. Like an annoying song played over and over again, each time I see the half naked mirror shot, it makes makes me want to break things. While I can't really break the world of this habit, what I can do through the power of imagination is take something that I hate and turn it into something that I like. What I wanted to do here was to take the half naked cell phone shot, and see if I could shoot it in a way I was ok with. I chose to make this a diptych ala David Hilliard style (whose work is amazing and far superior to mine) because I believe that when you piece the photographs together in your mind, the effect is very different from seeing the two as a single image. While I still hate the half naked cell phone shot, I am happy that I could create an image that makes me feel like I am both watching and being watched at the same time.